Fundraising September 15, 2024 – October 1, 2024 About fundraising

From Edison to Marconi

Main
From Edison to Marconi

From Edison to Marconi

David J Steffen

0 / 0

How much do you like this book?

What’s the quality of the file?

Download the book for quality assessment

What’s the quality of the downloaded files?

Year:

2014

Edition:

New ed.

Publisher:

Not Avail

Language:

english

Pages:

256

ISBN 10:

0786451564

ISBN 13:

9780786420612

ISBN:

2005007356

File:

PDF, 1.04 MB

IPFS:

,

english, 2014

Read Online

Conversion to is in progress

Conversion to is failed

You may be interested in

Cummings, Alex Sayf — B00BFRPBTC EBOK

Michael Denning — Noise Uprising

Michael Denning — Noise Uprising

Michael Chanan; — Repeated Takes

Cummings, Alex Sayf — Democracy of Sound: Music Piracy and the Remaking of American Copyright in the Twentieth Century

Cummings, Alex Sayf — Democracy of Sound

Cummings, Alex Sayf — Democracy of Sound: Music Piracy and the Remaking of American Copyright in Twentieth Century

William Howland Kenney — Recorded Music in American Life: The Phonograph and Popular Memory, 1890-1945

Richard James Burgess — The History of Music Production

Richard James Burgess — The History of Music Production

Alex Sayf Cummings — Democracy of Sound: Music Piracy and the Remaking of American Copyright in the Twentieth Century

Thom Holmes — The Routledge Guide to Music Technology

Tim Brooks, Dick Spottswood — Lost Sounds: Blacks and the Birth of the Recording Industry, 1890-1919

Mark Coleman — Playback: From the Victrola to MP3, 100 Years of Music, Machines, and Money

Mark Coleman — Playback: From the Victrola to MP3, 100 Years of Music, Machines, and Money

Kyle Barnett — Record Cultures: The Transformation of the U.S. Recording Industry

Mark Katz — Capturing Sound: How Technology Has Changed Music

David Brackett — Categorizing Sound: Genre and Twentieth-Century Popular Music

Mark Katz — Capturing sound : how technology has changed music

Leppert, Richard D — Aesthetic technologies of modernity, subjectivity, and nature : opera · orchestra · phonograph · film

Mark Katz — Capturing Sound: How Technology Has Changed Music

Richard Leppert — Aesthetic Technologies of Modernity, Subjectivity, and Nature: Opera, Orchestra, Phonograph, Film

David Brackett — Categorizing Sound: Genre and Twentieth-Century Popular Music

Nicholas Cook, Eric Clarke, Daniel Leech-Wilkinson, John Rink — The Cambridge Companion to Recorded Music (Cambridge Companions to Music)

Andre Millard — America on Record: A History of Recorded Sound

Greg Milner — Perfecting Sound Forever

Oliver Read, Walter L. Welch — From Tin Foil to Stereo: Evolution of the Phonograph

David J. Steffen [Steffen, David J.] — From Edison to Marconi: The First Thirty Years of Recorded Music

Mark Coleman — Playback

Amundson, Michael A — Talking machine west: a history and catalogue of Tin Pan Alley's western recordings, 1902-1918

Peter Martland — Recording History: The British Record Industry, 1888–1931

Karl Hagstrom Miller — Segregating Sound: Inventing Folk and Pop Music in the Age of Jim Crow

Karl Hagstrom Miller (editor); Ronald Radano (editor); Josh Kun (editor) — Segregating Sound: Inventing Folk and Pop Music in the Age of Jim Crow

Brian Ward, Patrick Huber — A&R Pioneers. Architects of American Roots Music on Record

Elodie A. Roy, Eva Moreda Rodriguez — Phonographic Encounters; Mapping Transnational Cultures of Sound, 1890–1945

Most frequently terms